List of bibliographic references indexed by British library
Number of relevant bibliographic references: 56.
[0-50] [
0 - 20][
0 - 50][
50-55][
50-70]
| Ident. | Authors (with country if any) | Title |
|---|
| 000007 (2012) |
Richard Wistreich [Royaume-Uni] | Musical materials and cultural spaces |
| 000010 (2011) |
Arthur F. Marotti ; Steven W. May | Two Lost Ballads of the Armada Thanksgiving Celebration [with texts and illustration] |
| 000016 (2011) |
Kerry Mccarthy | Philips's 1628 Paradisus and the triumph of the Eucharist |
| 000018 (2011) |
Matthew Hale ; Graham Raymond ; Catherine Wright | List of publications on the economic and social history of Great Britain and Ireland published in 2010 |
| 000024 (2011) |
Barbara Eichner | Getting Proper-ly Started: Isaac’s Choralis Constantinus and the Introduction of Polyphonic Mass Propers in South-German Monasteries |
| 000031 (2011) |
| Back matter (“Primary sources cited”, “Abstracts”) |
| 000033 (2010) |
John Milsom | William Mundy’s ‘Vox patris caelestis’ and the Accession of Mary Tudor |
| 000043 (2010) |
David Trendell [Royaume-Uni] | A Tudor miscellany |
| 000050 (2009) |
D. W. Krummel [États-Unis] | Music and the Book Trade, from the Sixteenth to the Twentieth Century. Ed. by Robin Myers, Michael Harris, and Giles Mandelbrote. |
| 000052 (2009) |
Raymond G. Siemens [Canada] | Henry VIII as Writer and Lyricist |
| 000066 (2009) |
| Microform Reviews |
| 000100 (2007) |
Oliver Neighbour | Music Manuscripts of George Iliffe from Stanford Hall, Leicestershire, including a New Ascription to Byrd |
| 000104 (2007) |
| Correspondence |
| 000107 (2007) |
Roger Savage [Royaume-Uni] | Alice Shortcake, Jenny Pluckpears, and the Stratford-Upon-Avon Connections of Vaughan Williams's ‘Sir John in Love’ |
| 000136 (2005) |
John Harley | ‘My Ladye Nevell’ Revealed |
| 000140 (2005) |
Hannah Smith | The Court in England, 1714–1760: A Declining Political Institution? |
| 000152 (2005) |
David Pinto | John Hilton, Ayres, or Fa La’s for Three Voyces (1627), ed. John Morehen. Recent Researches in the Music of the Renaissance, 137. (A–R Editions, Middleton, Wis., 2004, $53. ISBN 0-89579-549-3.) |
| 000160 (2005) |
Owen Rees [Royaume-Uni] | Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 |
| 000173 (2004) |
Kerry Mccarthy | Byrd, Augustine, and Tribue, Domine |
| 000180 (2003) |
Andrew Johnstone | ‘As it was in the beginning’: organ and choir pitch in early Anglican church music |
| 000185 (2003) |
John Milsom | Byrd, Sidney, and the art of melting |
| 000186 (2003) |
Oliver Neighbour | Byrd's treatment of verse in his partsongs |
| 000222 (2001) |
Albert Chatterley | THOMAS WATSON: WORKS, CONTEMPORARY REFERENCES AND REPRINTS |
| 000227 (2001) |
Alexandra Wilson | REVIEWS OF BOOKS |
| 000230 (2001) |
John Mcclelland | REVIEWS OF BOOKS |
| 000232 (2001) |
Suzanne Aspden | REVIEWS OF BOOKS |
| 000253 (2001) |
Ruby Reid Thompson | FRANCIS TREGIAN THE YOUNGER AS MUSIC COPYIST: A LEGEND AND AN ALTERNATIVE VIEW |
| 000257 (2001) |
Stephen Press | DIAGHILEV AND THE TWO VERSIONS OF PROKOFIEV‘S ’CHOUT‘ |
| 000259 (2001) |
Peter Holman [Royaume-Uni] | Compositional choices in Henry Purcell's Three Parts upon a Ground |
| 000269 (2000) |
Brian Robins | The catch club in 18th-century England |
| 000271 (2000) |
Richard Charteris | THOMAS BEVER AND REDISCOVERED SOURCES IN THE STAATS-UND UNIVERSITÄTSBIBLIOTHEK, HAMBURG |
| 000288 (1999) |
Jeremy L. Smith | FROM ‘RIGHTS TO COPY’ TO THE ‘BIBLIOGRAPHIC EGO’: A NEW LOOK AT THE LAST EARLY EDITION OF BYRD'S ‘PSALMES, SONETS & SONGS’ |
| 000295 (1998) |
Scott Nixon [Royaume-Uni] | THE SOURCES OF MUSICAL SETTINGS OF THOMAS CAREW'S POETRY |
| 000299 (1998) |
David Mateer | REVIEWS OF BOOKS |
| 000302 (1998) |
John Harley | NEW LIGHT ON WILLIAM BYRD |
| 000314 (1997) |
Richard Rastall [Royaume-Uni] | Spatial effects in English instrumental consort music, c.1560–1605 |
| 000323 (1997) |
John Harper | “One equal music”: the Music of Milton's Youth |
| 000329 (1996) |
John Milsom | TALLIS, BYRD AND THE ‘INCORRECTED COPY’: SOME CAUTIONARY NOTES FOR EDITORS OF EARLY MUSIC PRINTED FROM MOVABLE TYPE |
| 000333 (1996) |
David Pinto | REVIEWS OF MUSIC |
| 000336 (1996) |
Peter Downey | On sounding the trumpet and beating the drum in 17th-century England |
| 000337 (1996) |
Curtis Price ; William M. S. Rasmussen | Musical images in a portrait of Teresa Blount |
| 000338 (1996) |
David Greer | MANUSCRIPT ADDITIONS IN ‘PARTHENIA’ AND OTHER EARLY ENGLISH PRINTED MUSIC IN AMERICA |
| 000344 (1995) |
Hugh Benham | REVIEWS OF MUSIC |
| 000349 (1995) |
Sarah Boyer ; Jonathan Wainwright | From Barnard to Purcell: the copying activities of Stephen Bing |
| 000362 (1994) |
John Wagstaff | REVIEWS OF BOOKS |
| 000365 (1994) |
John Irving | MORLEY'S KEYBOARD MUSIC |
| 000388 (1992) |
Lydia Hamessley | THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND |
| 000401 (1991) |
David Mateer | RECORDINGS |
| 000405 (1991) |
David Greer | Manuscript Additions in Early Printed Music |
| 000435 (1989) |
Owain Tudor Edwards | How many Sarum Antiphonals were there in England and Wales in the middle of the Sixteenth Century? |
| 000465 (1986) |
Jeremy Montagu | SALEROOMS |
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